Adobe After Effects CS3 buy cheap
It was seven years ago when I got my first look at After Effects. I’d heard people talking about it like it was the nirvana of filmmaking, and something that everyone involved in video production should know how to use. So I went to Adobe’s website and looked at their promo video, and all I saw was some Pixar-esque animation of a car flying around. I thought it was cool, but it wasn’t anything I would use in my video projects, so I said “meh” and forgot about After Effects for a few years.
In 2002 I started making movies again on a regular basis. Previously I’d always edited on a tape-to-tape ¾” machine, but now I’d decided to get into digital filmmaking, so I bought a crappy MiniDV camera and hooked it up to my computer. My capture card came with a copy of Adobe Premiere Pro, so that’s what I used to edit. It seemed pretty intuitive, so I stuck with it, but eventually I became annoyed at its limitations. First of all, there was no way to make titles that were even vaguely interesting; I kept seeing lots of cool title sequences in commercials and movies, and knew they couldn’t have been made in Premiere Pro. Secondly, the color correction tools were basically non-existent, and my crappy camcorder needed all the help it could get. And finally, the slow motion and resizing tools produced awful results. How’s a guy gonna do a Rodriguez rip-off without good slow-mo, or make a great documentary without the “Ken Burns” pan and zoom effect? I figured there had to be a better program that could help me with these tasks, so I started typing stuff in Yahoo (we didn’t have Google back then) and guess what kept popping up? Yep, After Effects.
So I gave in and got version 5.5, along with the Classroom in a Book. Unlike most people who dive into those books and then lose interest after a few pages, I actually went through the whole course and did all of the tutorials and projects. By the end, I really knew how to use the program, and more importantly I realized that it is so much more than a tool for making 3D objects fly around the screen. Quite frankly, now I couldn’t make a movie without it. I’ve used it in conjunction with Premiere Pro for every project I’ve done since 2003, and have created many promo spots using just AE alone.
In fact, I use AE so much that I simply don’t have the time or energy to deal with the bugs and new workflows usually associated with upgrades. AE 6.5 was working great for me, and, as the improvements in 7.0 weren’t as essential to me, I skipped over it. I figured that, if it ain’t broke, don’t fix it, right? But when CS3 came out with its amazing upgrades and integration with the new Photoshop CS3 Extended and Premiere Pro CS3, I knew I needed to fully explore the new package, so I bit the bullet and performed the upgrade. As a writer for Microfilmmaker Magazine, this gave me the perfect place to try it out and share my in-depth review of the package with all the other micro-budget filmmakers that frequent our pages.
#1 by Julia on October 20, 2010 - 12:01 pm
You can obtain a trial copy at http://www.softpedia.com/progDownload/Adobe-After-Effects-Download-1558.html
#2 by Timb0 on October 20, 2010 - 12:07 pm
• Import of 3D layers from Photoshop
Import 3D models from Adobe® Photoshop® CS4 into Adobe After Effects® CS4 to composite them with other elements, and more.
• Searchable timelines and projects and easier nested comp navigation
Locate any element in a comp or project with the new QuickSearch. Quickly navigate between nested comps with the new Mini-Flowchart.
• Independent keyframing of x, y, z values, plus 3D compositing improvements
Composite in 3D space more easily: Keyframe x, y, and z position values separately, and use the new unified camera, which makes the After Effects camera tool work more like those in 3D modeling applications.
• Compositions exported as layered projects
Export compositions as layered, XFL format projects that can be opened and edited in Adobe Flash® CS4 Professional software. Many After Effects assets such as text and Adobe Illustrator® artwork are preserved as vectors.
• Cartoon effect
Instantly give live footage the look of cell animation. Stylize video by reducing the color palette of a clip and by emphasizing edges.
• Integrated workflow for mobile device authoring
Select devices in Adobe Device Central and automatically set up an After Effects project that targets those devices, with settings that match the targeted devices and the Render Queue setup to output to the proper codecs and resolutions.
• Mocha for Adobe After Effects from Imagineer Systems
Use this powerful 2.5D planar tracking application from Imagineer Systems to track the motion of elements — even in challenging shots where elements move offscreen or where there is motion blur or excessive grain.
• Numerous interface and workflow tweaks
Work more efficiently with dozens of user-requested changes, including the new Auto Resolution setting that only renders visible pixels when zooming in and out of a comp view, streamlined memory and multicore processing preferences, and more.
• XMP metadata for asset intelligence
Now retain asset metadata while you work in After Effects. Add new project-, comp-, and layer-level metadata to streamline project tracking, and automate asset auditing and many other tasks.
• Dynamic Link between Adobe Premiere Pro, After Effects, and Soundbooth
Using Adobe Creative Suite® 4 Production Premium software, now link Adobe Premiere® Pro sequences to an After Effects composition and After Effects comps to Adobe Soundbooth® with Adobe Dynamic Link.
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